French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.  Related Paintings of Nicolas Poussin :. | The Triumph of Pan | Paysage par temps calme | Flight into Egypt | Apollo and Daphne 1625Oil on canvas | Bighearted Sibiqiwo |
Related Artists:
Frans Francken II
Flemish Baroque Era Painter, 1581-1642 was a Flemish Baroque painter and the best-known member of the large Francken family of artists. Many of his works are small historical, allegorical and biblical cabinet paintings with the focus on figures. He also invented or popularized several new themes that became popular in Flemish painting, such as genre scenes populated by monkeys (later imitated by David Teniers the Younger) and Kunstkamer paintings displaying a wealth of natural and artistic treasures against a neutral wall. Francken frequently collaborated with other artists, adding figures to works by Tobias Verhaecht and Abraham Govaerts.
Peter ilsted
1861-1933,was a leading Danish artist and printmaker. Ilsted, Carl Holsoe and Ilstedes brother-in-law, Vilhelm Hammershoi, were the leading artists in early 20th century Denmark. All three artists were members of The Free Exhibition, a progressive art society created around 1890. They are famous for painting images of "Sunshine and Silent Rooms", all in subtle colors. Their works reflects the orderliness of a tranquil life EC- similar to the earlier works of Vermeer. Their art was later referred to as the Copenhagen Interior School. These interiors evoke at once a sense of calm, as well as a sense of mystery. The orderly room are often viewed from behind -- causing one to wonder if the scenes are really tranquil or something else. James McNeill Whistler, Duret and important art critics were early admirers and collectors of Ilsted's work. Ilsted was Hammershoi's brother-in-law. While at first glance their work appears similar, it is in fact quite different. Hammershoi's work has an aloof austerity, in contrast to Ilsted's scenes of common life. Though sometimes Hammershoi's colorful early pictures are reminiscent of James Tissot, his work is quintessentially Danish. However, Ilsted was more of a technician, and he made considerable contributions in the field of graphic art. Ilstedes mezzotints (colored a la poupee) were very popular and important in his day. They were an innovation in the media. Ilsted exhibited his work all over Europe, in London in 1907, in Germany and at the Paris Salon. It is there that his work was first exposed to Europe's art community. Ilsted was a great success in his lifetime and won many awards and accolades for his work. He was the only member of the group to also focus on printmaking. Ilstedes achievements in mezzotints were revolutionary. Some of his mezzotints, most of which were created in black as well as color editions, are considered among the greatest ever made.
George Chinnery
1774-1852,English painter. Although long rumoured to be Irish, Chinnery was brought up in London, where he showed a precocious talent as a portrait painter in the traditions of Romney and Cosway. His grandfather, the calligrapher William Chinnery sr, was the author of Writing and Drawing Made Easy, Amusing and Instructive (London, 1750); his father, William jr, was also a writing master, and exhibited portraits at the Free Society of Artists. George entered the Royal Academy Schools in 1792